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From Cooperative Children's Book Center (CCBC)

A recipe for justice is the extended metaphor of this distinctive picture book about the civil rights sit-ins that began with four Black college students at a Woolworth’s lunch counter in Greensboro, North Carolina, in 1960. “They sat straight and proud. And waited. And wanted. A doughnut and coffee, with cream on the side.” Andrea Davis Pinkney’s text has moments of playfulness and moments of power as it describes how that first sit-in expanded from four students to many, and from Greensboro to other cities across the South as part of the larger fight for civil rights. Brian Pinkney’s imaginative illustrations include images of a lunch counter that grows longer and longer as more and more people join the protests. A Civil Rights Movement timeline highlighting key individuals, organizations, and events, as well as an author’s note and suggestions for additional reading and research, are all part of the informative end matter. (Ages 7–10)

CCBC Choices 2011 © Cooperative Children's Book Center, Univ. of Wisconsin - Madison, 2011. Used with permission.

From Horn Book

July 1, 2010
A colorful narrative full of food references ("At first, they were treated like the hole in a doughnut") recounts the 1960 sit-in at the Woolworth's lunch counter in Greensboro, North Carolina. Watercolor and ink illustrations swirl with energy, capturing both the seriousness and exuberance of the student protesters. Sprinkled throughout are quotes from Martin Luther King Jr., formatted in extra-large typefaces. Reading list, timeline, websites.

(Copyright 2010 by The Horn Book, Incorporated, Boston. All rights reserved.)

From School Library Journal

Starred review from April 1, 2010
Gr 3-6-Through effectively chosen words, Andrea Pinkney brings understanding and meaning to what four black college students accomplished on February 1, 1960, by sitting down at a Woolworth lunch counter in Greensboro, NC. Her repeated phrase, "Their order was simple. A doughnut and coffee with cream on the side," along with other food metaphors, effectively emphasizes the men's determination to undo the injustices of segregation in a peaceful protest, which eventually led up to the 1966 Supreme Court ruling against racial discrimination. With swirling swabs of color that masterfully intertwine with sometimes thin, sometimes thick lines, Brian Pinkney cleverly centers the action and brings immediacy to the pages. Both the words and the art offer many opportunities for discussion. The book concludes with a civil rights time line and an update on the aftermath of the lunch-counter struggle."Barbara Elleman, Eric Carle Museum of Picture Book Art, Amherst, MA"

Copyright 2010 School Library Journal, LLC Used with permission.

From Publisher's Weekly

February 8, 2010
The latest collaboration by this husband-and-wife team (the Caldecott Honor book Duke Ellington: The Piano Prince and His Orchestra
) recreates the renowned 1960 sit-in staged by four black college students at a Greensboro “whites only” lunch counter. The narrative incorporates a steady stream of food metaphors, noting that the students ignored the law’s “recipe” for segregation (“a bitter mix”) replacing it the “new brew” of integration. Unfortunately, this device is more trite than moving (“Their order was simple: A double dose of peace, with nonviolence on the side”) and, at times, can come across as glib. Brief quotations by Martin Luther King Jr. appear in large, blocky text, emphasizing his influence on the actions of this quartet as well as those who followed their lead, staging sit-ins across the South. Brian Pinkney’s sinuous watercolor and ink art conveys the solidity and determination of the activists as well as a building energy that grew out of their act of civil disobedience. A succinct civil rights time line and additional facts and suggested reading about the topic round out this account. Ages 6–up.

From Booklist

Starred review from February 1, 2010
Grades 2-4 *Starred Review* This compelling picture book is based on the historic sit-in 50 years ago by four college students who tried to integrate a Woolworths lunch counter in Greensboro, North Carolina. Food-related wordplay adds layers to the free verse, as in the lines about the protesters recipe for integration: Combine black with white / to make sweet justice. The double-page spreads in watercolor and thick ink lines show both the scene in Woolworths and across America as blacks and whites organize sit-ins and watch coverage of protests on TV. Finally, the young people at the counter get what they order, served to them exactly the way they wanted itwell done. The recipe metaphors are repetitive, but at the core of the exciting narrative are scenes that show the difficulty of facing hatred: tougher than any school test. Closing pages discuss the role of adults, including Ella Baker and then presidents Kennedy and Johnson, and include a detailed civil rights time line, a final helping about the historic struggle, and a bibliography. Even young children will grasp the powerful, elemental, and historic story of those who stood up to oppressive authority and changed the world.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)